{"version":"1.0","provider_name":"Soci\u00e9t\u00e9 de l&#039;Histoire du Protestantisme Fran\u00e7ais","provider_url":"https:\/\/www.shpf.fr\/en\/","author_name":"aggelos","author_url":"https:\/\/www.shpf.fr\/en\/author\/aggelos\/","title":"Quand un fragment d\u2019histoire devient po\u00e9sie : D\u2019Aubign\u00e9, Sancerre et le jeu des sources &#8211; Soci\u00e9t\u00e9 de l&#039;Histoire du Protestantisme Fran\u00e7ais","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"sXC4o0Ag95\"><a href=\"https:\/\/www.shpf.fr\/en\/article\/b-conconi-fragment-histoire-poesie\/\">Quand un fragment d\u2019histoire devient po\u00e9sie : D\u2019Aubign\u00e9, Sancerre et le jeu des sources<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.shpf.fr\/en\/article\/b-conconi-fragment-histoire-poesie\/embed\/#?secret=sXC4o0Ag95\" width=\"600\" height=\"338\" title=\"&#8220;Quand un fragment d\u2019histoire devient po\u00e9sie : D\u2019Aubign\u00e9, Sancerre et le jeu des sources&#8221; &#8212; Soci\u00e9t\u00e9 de l&#039;Histoire du Protestantisme Fran\u00e7ais\" data-secret=\"sXC4o0Ag95\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"To write an epic poem in sixteenth-century France can mean no major battles, but only minor \u2013 and historically insignificant \u2013 episodes which Agrippa d\u2019Aubign\u00e9 as soldier sometimes witnessed, but most often simply read about. The reasons for his approach..."}